Two Days One Night

Election campaigning is in full swing, pundits are putting their nightly spin on the politics of the day, and a man named Trump is saying whatever he wants. While political junkies on both sides of the border are soaking in every second of the daily poll results, a different type of campaign is worthy of your attention. In Luc and Jean-Pierre Dardenne’s Two Days, One Night, a young mother of two, Sandra (Marion Cotillard), is forced to hit the streets to rally support for an important cause…her livelihood.

On the rebound after a recent bout of depression, Sandra is devastated to hear that she has been laid off from her job at a local factory. Adding salt to the wound is the fact that her co-workers opted to take a pay bonus in exchange for her dismissal. Urged by her husband, Manu (Fabrizio Rongione), to not go without a fight, Sandra convinces her former boss to hold another vote amongst her peers on Monday. With only the weekend to track down and convince her co-workers as to why they should sacrifice their bonus, Sandra faces an uphill battle that threatens to push her to the brink of a relapse.

While the idea of an organization putting the fate of an employee’s career in the hands of her peers may seem far-fetched in the real world, the film does open up an intriguing examination about human nature. Though the necessity to hunt and gather one’s food has been eliminated in most civilized parts of the world, the survival of the fittest mentality is still alive and well, especially in the realm of business. As most organizations try to instill the “we are all in this together” motto into their workforce, it only takes a firing, or a position to be outsourced, to remind everyone how fragile their roles in the happy corporate family really are.

Two Days, One Night excels in positioning the audience in such a way that they cannot help but contemplate what their own response would be to such a dilemma. As Sandra drudges across town unsure of which co-worker is friend or foe, the viewer also ponders which of their own colleagues would support them? Furthermore, if they had the power to save a co-workers job, over getting a bump in pay, would they?

The Dardenne brothers add a bit of extra tension by highlighting Sandra’s increasingly dangerous reliance on pills. However, it almost feels unnecessary when looking at the film on a whole. The central narrative is more than strong enough to keep the audience engaged. The most captivating moments are not the pill popping, but rather the brief encounters that Sandra has with her co-workers. These scenes provide just enough information as to each person’s financial situation and why they may or may not vote a particular way. Plus, Marion Cotillard’s raw performance effectively conveys how dire the stakes are for her character.

Overcoming its seemingly implausible premise, Two Days, One Night is a heartbreaking film that reminds us that loyalty and friendship only go so far when money and business are involved.

Two Days, One Night is currently streaming on Netflix in Canada, the US and the UK


    1. I can see why many would fall in love with this film. The situation that the main character finds herself in is one that we can all identify with on some level or another.

  1. For me, this is one of the Dardenne Brothers’ finest films. Having seen much of their work, I knew what they were going to do but they keep surprising me in how refined their craft as filmmakers. At the same time, there was a level of confidence that I felt in watching what they do as I was amazed that they got someone like Marion Cotillard in their film as she definitely gave another great performance. It’s among one of their essential films as I hope to get this film (and other films of theirs) on DVD from Criterion.

      1. I would start with Rosetta and L’Enfant. Then go to La Promesse, The Kid with a Bike, The Son, and Lorna’s Silence. I’d also check out their short “Darkness” that they did for To Each His Own Cinema. They’re just on a streak that is impossible to duplicate right now.

  2. been waiting for AGES for this to hit US Netflix. it was supposed to in July but the cancelled it for some reason. can’t wait to watch this.

    1. It is strange that it took so long to hit US Netflix. I know Canada occasionally gets some titles on Netflix in advance (though our selection, while growing, is nowhere near yours), but I have yet to figure out how studios decide which countries get the Netflix rights to certain films.

  3. Hadn’t thought about the film in terms of a hunter-gatherer model of humanity … interesting stuff. Can’t wait to own this Criterion!

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