As Errol Morris’ latest film, The B-Side: Elsa Dorfman’s Portrait Photography, opens this weekend, I decided to spend some time revisiting his influential canon. If you are new to Morris’ films, and are wondering where is a good place to dive in, then I am here to help. Over at In the Seats, I looked at the legendary documentarian’s works and broke them down into three digestible categories.

You can read the piece at In the Seats.