As Errol Morris’ latest film, The B-Side: Elsa Dorfman’s Portrait Photography, opens this weekend, I decided to spend some time revisiting his influential canon. If you are new to Morris’ films, and are wondering where is a good place to dive in, then I am here to help. Over at In the Seats, I looked at the legendary documentarian’s works and broke them down into three digestible categories.
You can read the piece at In the Seats.
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Published by Courtney Small
The founder of Cinema Axis, Courtney is a Rotten Tomatoes approved critic who can frequently be heard discussing film as co-host of Frameline on Radio Regent. Courtney has contributed to several publications including Leonard Maltin, That Shelf, POV Magazine, In the Seats, Black Girl Nerds, and Comix Asylum. He has appeared on ET Canada and Hollywood Suite's Cinema A to Z. Courtney celebrates diversity in cinema as host of the Changing Reels podcast and is a member of the Toronto Film Critics Association, the Online Film Critics Society, and the African American Film Critics Association.
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