Before Twilight, there was The Lost Boys. Before Bella, Edward and Jacob, there were brothers Michael and Sam, their mother Lucy, their eccentric grandfather, the Frog Brothers and a bunch of teenage vampires. This cool, hip and funny film has a wickedly good cast including a young Keifer Sutherland and the two Coreys – Corey Haim and Corey Feldman. This horror film has no serious horror, but there are ample touches of tension and fright and a lot of humour. I’ve always liked this film and it’s not because it tells a great imaginative story, but because the cast of characters is so good.
Michael, Sam and Lucy move to Santa Carla, a small town in California with a vampire problem. The leader of the vampire pack sets his sights on Michael. The pack seem like no more than a group of young vagabond punk rockers with long hair and leather-studded jackets who hang out at the boardwalk, but they’re more than just ordinary punk kids. Michael is drawn to the group leader’s girlfriend, Star, and allows himself to be lured into their underground cavern where he unknowingly drinks blood from a bottle that he thinks is filled with wine.
When Michael starts lusting after blood, grows increasingly sensitive to daylight, sleeps all day and starts fading out in mirrors, his younger brother Sam freaks out. ‘My own brother is a blood-sucking vampire,’ he yells, ”You wait till Mom finds out.” The film is full of lines like these that are carried off with perfect naturalness and great comic timing from a wide-eyed, innocent Haim. Haim’s character is my favourite in the film. He is determined to prevent his brother from making his first kill and transforming into a vampire for good and he grows suspicious of everyone even thinking that the man his mother is dating could be the head vampire.
Sam enlists the help of the Frog brothers, two self-proclaimed vampire hunters he befriends at a comic book shop. The Frog Brothers are versed in the ways of vampires thanks to the numerous comic books they’ve read about them and they school Sam on the symptoms of vampirism and on the best ways to exploit a vampire’s weaknesses. Together they decide to go after the vampire gang. They want to kill the unknown head vampire to turn Michael back into his normal human self.
When Sam and the Frog brothers penetrate the vampire cavern we’re treated to some pretty cool special effects with striking images of white-faced, fang-toothed vampires hanging by their toes from rafters and flying and fighting in the air. There is a menacing undercurrent and eeriness when the film enters their world, but it’s never scary enough to make you want to hide under the covers. The film maintains too much humour to ever be terrifying.
In the lead up to the big climactic fight scene between vampires and humans is my favourite part of the film. Sam and the Frog brothers, convinced that Sam’s mother is dating the head vampire, outfit Sam’s house with a series of vampire booby traps; a bathtub filled with holy water and garlic along with a couple of water guns loaded with the same for good measure; some garlic finely grated to look like parmesan cheese and a few crucifixes. Unbeknownst to Sam and the Frog brothers, the head vampire is impervious to such things and it’s amusing to see the young kids throw every trick up their sleeve at him without any effect. Here the film employs the traditional vampire mythos and doesn’t try to do anything different or unique, but it works for this film.
The ending is a perfect blend of exciting action and comedy and a great one-liner by Michael and Sam’s kooky grandpa:”One thing about living in Santa Carla I never could stomach, all the damn vampires.” It’s one of my favourite 80s films and even if you’re not into vampire movies, it’s worth checking out if you haven’t seen it and worth revisiting if you have.
I thought Kiefer Sutherland was pretty scary when I first saw it, but then I was a kid at the time. I was a day camp counselor that summer, and I saw it with my other counselor friends after camp. Still have the soundtrack, too – on vinyl!
I saw it for the first time just a few years ago…and it just didn't click for me. I totally see how it would've back in the day, but coming to it 20 odd years late, certainly didn't help.Two very scary things about it though:1) Corey Haim's wardrobe. Good lord. Sorry for linking to myself, but I caught a few screengrabs when I wrote it up as part of my October Horror marathon from a few years ago. Be warned – this is not pretty…2) The completely abysmal, soul-crushing destruction of The Call's excellent "I Still Believe" by that band with the muscle bound singer who played cheesy sax. I'm wincing just thinking about it…
This is still probably the best thing Joel Schumacher has ever done. He could never top this. Especially the cheesy muscle-bound sax player.
I see how it wouldn't hold up for some, but it holds up for me. Maybe it's because the fondness I had for it as a youngster has never waned. Plus, I think it's one of the best Corey/Corey collaborations. Those screengrabs are great. The wardrobe is definitely one of the scariest parts about the film. Did you see his bathrobe? Yikes!I like the cheesiness – it's what makes it a fun film to watch for me.
That cheesy muscle-bound sax player is getting a lot of love here – I'm going to have to play extra special attention next time I watch the film. I don't remember him all that vividly.
This is one of the only Joel Schumacher movies that I love.
The soundtrack for this movie was also really fun to listen to. Something else that I appreciated was that Jami Gertz was stunning and it was completely understandable to me that she would be able to lead Michael in a direction he wouldn't normally go.
It's definitely his best film.
You're right – the film does have a great soundtrack. Jami Gertz was incredibly well-cast as the seductress and her performance was an all-around good one. I thought she'd become a huge star after 'The Lost Boys', but she never reached leading lady territory.
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